I have seen the SNJO play many times since they started twenty years ago. I like what they do. And I love the music of Billy Strayhorn. So they would have tried very, very hard for me not to enjoy this gig.
Fortunately, that didn’t happen. Though they did work hard, it was a joy. Working from Strayhorn’s original charts – and including many recently found tunes and scraps of tunes – and covering the whole of Strayhorn’s career to celebrate the centenary of his birth, this was the SNJO in repertory mode.
They started with “Take the A Train”, the first of Strayhorn’s charts for Duke Ellington, a more restrained performance than their concert of Ellington numbers a while ago, and over the course of two long (but two short!) sets took us through to Strayhorn’s last composition, “Blood Count”, written when he was having treatment for leukaemia (and recorded after his death on Ellington’s memorial to Strayhorn, “…And His Mother Called Him Bill”). “Blood Count” was beautifully elegaic.
The playing was subtle and refined, the charts leaving little space for extravagant histrionic solos. At times it seemed like the band were channelling the greats from Ellington’s bands: altoist Paul Towndrow had Johnny Hodges’ tone down to a tee, trumpeter Tom McNiven stretching for Cat Anderson’s high notes and, had I been listening with my eyes closed, I would have sworn the clarinet was coming from Jimmy Hamilton rather than Martin Kershaw.
With Kershaw leading on clarinet he had to double on tenor, and the second alto was filled unusually by Konrad Wiszniewski, leaving Tommy Smith as the only lead tenor player. He naturally filled that role perfectly, with beautiful solos on “Isfahan” (played as a duet with Brian Kellock on piano) and “Lush Life”.
SNJO have got a busy year ahead as they celebrate their twentieth anniversary. with Kurt Elling singing Sinatra in May, a June tour of the Highlands & Island with Eddi Reader (I have half a mind to catch them in Ullapool…) and autumn tours featuring firstly the music of Benny Golson and secondly Glenn Miller. I wonder if they do requests?