The recent death of free-jazz pioneer Ornette Coleman has lead to a lot of people reappraising his influence – which is vast, wide and deep. It was no surprise when the Playtime crew decided to dedicate an evening to his music.
I saw Ornette play a couple of times with his free-jazz-funk double quartet “Prime Time”, and I have long found his music easier to listen to live: it can be hard work on record, but in a live setting it works, for me at least.
And the two sets the Playtime quartet played worked very well for me. I had wondered what altoist Martin Kershaw would make of Coleman’s music, since Coleman was one of the defining voices one the instrument. Despite the ostensible avant garde nature of the music, Coleman was deeply rooted in the blues, and that came through in the selections made in the repertoire by the band.
Almost wholly taken from his very productive, early period of the late 1950s and early 1960s – I think most of the tunes played came from Coleman’s first five albums – the connection to the blues was emphasised, as was the extension of Charlie Parker’s bebop lines in completely new directions. This surely came from Coleman rather than Kershaw: it’s in the themes and riffs, as well as the titles. (“Bird Food” was one of the tunes played.)
Coleman’s rhythm section – notably drummer Billy Higgins and bassist Charlie Haden – let him go in all the directions he wanted, by keeping great time. Here, Mario Caribe and Tom Bancroft admirably fulfilled those roles, showing the strength of the rhythm within the jagged melody. Graeme Stephen added lots of subtle flavours with his guitar.
But mostly it was. about the saxophone, which was gutsy and passionate – a fitting tribute.