Tommy Smith Quartet. Edinburgh, January, 2018.

Tommy Smith had a busy January: a duo gig with Brian Kellock (broadcast on Radio 3’s Jazz Line Up), a string of sell out shows with the SNJO at Ronnie Scott’s, and Judy a couple of days later, he brought his quartet back to Edinburgh to play music from their album, “Embodying the Light”. They’d played a gig last July based on the same repertoire – an exciting, storming show that was one of the best concerts I saw last year. Which meant this show had a lot to live up to.

The first set didn’t quite make it: good though it was (and it was), it lacked the punch of last year’s gig. That was partly because in contrast to July’s sell out show, the much larger Queen’s Hall was only half full, and the acoustics weren’t as good. The quartet were playing without amplification, and at times Calum Gourlay’s bass was drowned out. (They were recording the show for video, and the instruments were miked for that, but they weren’t using the PA system.)

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The second half was something else, though: I don’t know if the band had warmed up a bit, or the audience had warmed up, or may it was only me who had warmed up – but it felt like they had gone up a gear. In part it might be that they made more space – Smith played a solo piece early in the second set, using the piano as a resonator, which provided a change of dynamics.

The band were superlative. Sebastiaan de Krom played an amazing drum solo in the second half, and seemed to get better and better as the show continued. Pete Johnstone on piano was inspired and inspiring; he listens very attentively, even when he’s not playing – the look on his face showed how exciting he finds this band, and he creates genuinely exciting music as a result. And Calum Gourlay’s bass playing hits the mark.

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After each solo from the side-men, I thought “that’s the real star of the show!”, each one bettering the previous. And them Tommy Smith would play, and put them a little in the shade: push them further, and they pushed him. Collaborative rather than competitive, it resulted in a truly exiting evening of jazz.

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